|
|
|
 |
Reviews |
 |
Source:
rec.art.movies.reviews newsgroup
Rating:
 
|
Roughneck, janitor, parolee, genius. These words sum up the essence of Will Hunting (Matt Damon), a blue-collar boy who lives in the tough neighborhoods of South Boston. He likes to invite confrontation, hangs out with a group of rough-and-tumble guys, and has a police record a mile long. In the day, he works at a construction worksite, but at night, moonlights as a custodian at the Massachusetts Institute of Technology.
Within the building where he cleans, there is also an advanced mathematics class being taught be the illustrious Professor Lambeau (Stellan Sakrsgard). As a distinguished faculty member and a Fields Medal award-winner, he tickles the minds of his students by challenging them to solve a complex math proof, which he writes on a blackboard just outside the classroom door. So difficult is this challenge, that he expects no one to solve it until the end of the semester. Amazingly, someone solves it overnight.
While it's a huge surprise to the Professor who the brilliant mind is, it is no surprise to the audience if you've seen any of the trailers or commercials for this film. Indeed, we learn that it is Will who has an IQ of Einstein, a photographic memory, and an uncanny capacity to see through the complexities of any equation. But despite his unparalleled talents, Will is suffering on the inside - a victim of chronic abuse and loneliness from his days as a child, and, sadly, would rather lay brick, hang out and drink beer rather than use his gift for the betterment of others and himself.
Four people try to rescue him from his path of self-destruction, although their reasons are very different and sometimes selfish. Professor Lambeau sees this as an opportunity to train a prodigy and to take the field of math to new and exciting levels. However, Will is unruly and undisciplined. Lambeau seeks a therapist on Will's behalf and eventually asks his ex-college roommate, Sean McGuire (Robin Williams), who agrees to help him. Sean tries to bond with Will, trying to learn what makes him tick, why he is repressed, and to find a way for his happiness to emerge from his soul. Will's world is also affected by his best friend, Chuckie (Ben Affleck), who wants Will to realize his gift and to take the initiative to do something better. Skylar (Minnie Driver), is Will's love interest who wants to reach him, but is constantly held at bay by his defensive mechanisms.
This film is a straightforward drama that boasts some nice all-around performances. Williams is appealing as the therapist, using witty banter and some unconventional tactics to break through to Will's heart. His role is a refreshing change that harks back to his earnestness in Dead Poet's Society. Damon remains focused as a lonely and insecure soul hiding behind a facade of toughness. The storytelling is sound, and the story moves along at a good clip.
>From the beginning, we know that the entire story right up to the ending will be somewhat predictable. There are no real surprises here, and that's ok. There are precious moments to savor. For example, there is a great 'pick-up' scene in a bar as Will and a Harvard student try to prove their smarts. I especially liked the Cro-Magnon-like Chuckie who confesses that his favorite moment in the day is when he walks up to his house to pick him up to go to work. "I keep hoping that one day I'll walk up, and you won't be there," he says tenderly. And, there are several touching moments between Will and Sean as their bond grows closer. At one point during a session by a pond, Will quips, "is this a Taster's Choice moment?" Indeed, there are many such fine individual moments that makes Good Will Hunting a nice catch.
By : Homer Yen
|
|
Source:
rec.art.movies.reviews newsgroup
Rating:
|
Of all the reasons I was pleasantly surprised by GOOD WILL HUNTING -- and there were several -- the easiest to identify was its subversive awareness of its own genre. The story of a troubled genius named Will Hunting (Matt Damon) forced to work with emotionally wounded psychiatrist Sean Maguire (Robin Williams) was ripe for the sort of cathartic therapeutic hokum which has passed for emotional honesty in films like ORDINARY PEOPLE or the recent BLISS. I called long ago for a moratorium on physician-heal-thyself psychiatrists as a cinematic type; therapy sessions as revelatory contrivance seemed just as ready for mothballs.
GOOD WILL HUNTING can't possibly steer clear of every pitfall associated with therapy-centered drama, but it's conscious enough of those pitfalls to provide a goofy sense of originality. The script, by Damon and his co-star and real-life buddy Affleck, keeps the dialogue between Will and Sean generally smart and smart-alecky (particularly sharp was a pastoral scene which Will describes as a "Taster's Choice moment between the guys"). The arc of their relationship is convincing and patiently developed, with Williams and Damon sharing an impressive chemistry. In fact, chemistry defines the cast from top to bottom -- Will's friendships with his working-class chums, his romance with a British Harvard student (Minnie Driver), and even Sean's contentious friendship with the MIT professor (Stellan Skarsgaard) who envies Will's gift. The performances are consistently strong enough (even Robin Williams in his "bearded, ergo serious" mode) to carry GOOD WILL HUNTING through its inevitable dips into confrontation, as well as a running time which could have used a judicious twenty minutes of trimming.
Strongest of all is Damon himself in a dazzlingly charismatic piece of screen acting. Both believably brilliant and convincingly rough around the edges, Damon avoids the too-common actor's trap of white-washing his character's dark side. That dubious distinction, unfortunately, goes to director Gus Van Sant, who turns Will's primary surge of violence into a slow-motion ballet, undercutting the character's pent-up rage. It's too conventional an instinct for a director who has rarely done anything the conventional way, offering Damon a protection he simply doesn't need. As both actor and writer, Matt Damon gives GOOD WILL HUNTING energy, soul and a welcome desire to avoid trite situations. It's a rare drama which satisfies without pandering, a feel-good, heal-good session which gives you just a little hope that every trip to the couch doesn't have to be a trip into Cliche-Land.
By : Scott Renshaw
|
 |
Featured Posters |
|
|
