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Source:
rec.art.movies.reviews newsgroup
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Having lived around the outskirts of Washington, D.C. myself, it's always a nice treat to watch a film that literally takes place right where I have stood, at one time or another. It's just very fun to know that a famous movie was shot where you once walked. (Although I now regret visiting the set of "101 Dalmations" in London--that's one story I don't often tell people with a smile on my face.)
At the beginning of "No Way Out," we get to see Washington from above as the camera glides through the air, swerving and going around in circles, until we land inside a small interrogation room housing a convicted murderer (Kevin Costner), who is in fact innocent and has been framed. "When's he coming out?" he asks as he walks over to a one-way mirror and looks through the glass. Right as we start to think, "Whom is he talking to?" (Or "Does he mean Hackman?" if you've read anything about the film), we fall backwards in time and land in the same place some number of months earlier.
"No Way Out" is a government thriller about an officer wrongly accused of murder--when the Secretary of State himself is the culprit trying to avoid a scandal by launching a top-secret cover-up. Costner is the officer, and Gene Hackman is the Secretary of State. After meeting a beautiful young woman (Sean Young) at a party, Costner takes her into a limo and they have a quickie--before they even know each other's names.
What's this got to do with anything? Why is my review so choppy and linear-challenged? We'll get there.
The relationship between the two turns into a big romance until Costner is sent out to sea, where he saves a sailor from falling overboard and is praised in all the papers--where his girlfriend back home sees his face and is reminded of him. (Now she's the mistress of Hackman, by the way--that complicates matters quite a bit.)
When he arrives back home, they go on a romantic getaway--but Hackman finds out and accidentally murders the girl while trying to get her to tell him the name of her lover. Ready to turn himself in, Hackman is persuaded by his gay friend to cover everything up and blame someone else. The gay man even goes and gets rid of the evidence himself--with pride, I might add. (It's like Mr. Burns and Smithers from "The Simpsons"--the latter loves the former, but the former is too powerful and naive to ever notice.)
The clever twist in "No Way Out" is that Costner knows Hackman killed Young, but Hackman doesn't know that he knows that. (Get it?) As he runs around the Pentagon and other government establishments, the evidence starts to pile up against him--the negative off the back of a Polaroid camera, a few eyewitnesses who claim they saw a man outside Young's apartment the night of her murder, etc.
The great thing about "No Way Out," and another factor that separates it from the rest of its kind, is something that's hard to explain to someone who hasn't seen the film. Essentially, no one knows who killed the girl--and Costner isn't placed under arrest straight away because no one has uncovered any evidence pointing towards him. As the negative off the back of the Polaroid is scanned through a computer and painstakingly altered to reveal the man's face on the photo, Costner runs around trying to eliminate evidence before anyone finds out. The photo will eventually reveal his own face, yes, but he has a number of hours until then to find the true evidence that convicts Hackman.
This is a smart thriller with a few pleasant twists, particularly the very end. It's not a great movie by any means, but it's well-acted and solidly directed by Roger Donaldson, who also made last year's "The Recruit" with Al Pacino and Colin Farrell. The guy obviously likes government thrillers. This one is a lot more plausible than "The Recruit," too.
By : John Ulmer (http://www.wiredonmovies.com/)
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Source:
rec.art.movies.reviews newsgroup
Rating:
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PLOT: Hero Navy-boy gets a posh job as a liaison in the Pentagon under the Secretary of Defense, and soon starts up a secret affair with the same man's mistress, initially unbeknownst to him. When the woman in question is killed, our Navy-boy heads up an investigation for the Secretary to find the other man with whom she was having an affair, also believed to be the murderer.
CRITIQUE: A taut political thriller, this film offers us a touch of sex, plenty of suspense and intrigue webbed inside a cliched 80s soundtrack, a powerhouse performance by Will Patton, and a fascinating look behind the covert walls of the US government's big-wigs. Kevin Costner also pulls off his greatest looking part, while Gene Hackman continues his standout work, chewing right into every one of his morally-challenged lines with fervor. The film itself does take a little while to get going, but once the "chase" is on, it doesn't let up until the very last visually-resounding scene. On the down side, besides the dated soundtrack, I did not particularly enjoy Sean Young's performance or the very last two minutes of the film, which seemed gratuitously tacked on for inexplicable reasons. But even those small oversights don't take away from the fact that this film comes through on all cylinders in respect to plot, tension, acting, suspense and intrigue. All in all, one of the best thrillers to come out of the 80s, and certainly one that still holds up to the test of time.
Little Known Facts about this film and its stars: Ten years after working together as actors, Kevin Costner co-starred and directed Will Patton in the ill-fated THE POSTMAN. The character of Nina is played by none other than international model, Iman (full name Iman Abdulmajid), who happens to be married to the Thin White Duke himself, David Bowie. She was born in Somalia. Plot hole anyone? The Pentagon is one of the largest buildings in the world, with 17 miles of corridors alone. For a single group to search it in two hours is preposterous. Oh well, it's just a movie!
By : Berge Garabedian (http://www.joblo.com/)
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